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Bead Peeps Swap & Hop - My Partner and What She Sent

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I'm so excited to be participating in a new-to-me swap and design challenge, this time hosted through the Bead Peeps Facebook group.  And I'm thrilled to introduce my swap partner, Lori Alainn Blanchard of Alainn Jewelry. (What, you don't follow her blog yet? Get yourself over there, enjoy the eye candy, and put her on your blog feed immediately! You're welcome.)

Lori's an enthusiastic and warm person, who's planning her wedding while she works and designs her fantastic jewelry. She rides motorcycles, which proves she's the kind of brave bad ass lady I can't possibly claim to be (I would be decorating the pavement immediately). She's got a fun sense of humor, and her spirit comes through in her designs.

Lori and I are really well-matched. We both love to explore and mix a variety of techniques, and love color. We both work with seed beads and larger beads. Neither of us has met a bead we didn't like (or at least think we could so something with). She shops with the same philosophy as I do - if it's pretty or interesting, buy it with the certainty that you'll find a fabulous use for it eventually.

Want to see some of Lori's beauties?

This first one knocked my socks off.  It just got photographed for inclusion in Bead & Button (yay, Lori!), and I think you can see why.  It also proved to me that we were well-matched, because it reminded me of a necklace I made that I affectionately referred to as "the monster."


This next one has lush, abundant fringe. I can't do fringe. Don't know why, but I've never felt like a fringe-y kind of girl, but this might change my thinking.


And this bracelet? The colors are so pretty and the embroidery is great.


In yesterday's mail, I got the beads that Lori sent me for this swap challenge, and y'all, it's full of yummy things.  Take a look!  Czech glass and delicas and seed beads and daggers and tilas and half tilas and a highly cool focal, oh my!


Yes, take a closer look at the very cool focal.  It's a lapis cab with sculpted clay by Sculpted Windows.


The big challenge here? The neon creamsicle seeds. I told Lori I am challenged by neons, and she picked up on that. But she eased me into dealing with my phobia by sending neon beads that actually pick up a color in the focal, so I think I may be okay. Hold a good thought.


What did I send Lori? I forgot to take a picture before packaging it up, but you can see it here.  I can't wait to see what she makes with it!

Buckle Up - Show Season's Starting!

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Alright, all you lovers of wacky tales of flying bugs the size of Volkswagons and men dancing in skirts, it's time for Summer Show Season! 



If you're relatively new to the blog, I do art fairs with my jewelry, and I chronicle the joys and adventures of my weekends here.  

From the sublime (the wonderful woman who walked into my tent and purchased two of the most extravagant - and expensive - pieces in my collection without batting an eye) to the ridiculous (ever try to hold down a metal-framed tent in gale force winds? With lightning flashing? What could go wrong?) to the serendipitous (meeting online friends in person!), I love doing shows, I love meeting the people who attend them, and I love sharing the inevitable stories with you.

Since moving to Chicago and taking a job that often obligates me on weekends, my show activity has dropped quite a bit as I re-establish myself in a completely new market, but I have three shows lined up so far, with my fingers crossed as I await notification for two more.

Here's how the summer's shaping up so far:

buffalo grove
Buffalo Grove, IL
June 4 & 5


Naperville Woman's Club Logo

Naperville, IL
July 9 & 10

Lakeshore Arts Festival

Evanston, IL
August 6 & 7

Now, if I can just remember how the tent works and how to set up my display, it'll be great!

Bead Peeps Swap 'n' Hop - The Creamsicle Conundrum

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Bead swaps and design challenges are a great way to get the creative juices flowing, so when I saw a call on the Facebook group Bead Peeps for a swap, I was all in. And I lucked out, too, getting the lovely Lori Alainn Blanchard of Alainn Jewelry as my partner.  She sent me the delicious beads below for me to work with:



and the handcrafted focal:


Lori had asked me what colors I find most challenging to work with, and then, as any good swap partner would, she sent me that exact thing -- flourescent creamsicle orange.

  
I could almost hear her laughing from several hundred miles away.....;-

The first thing I worked on was the right way to highlight the focal, and I hoped to use the tilas to do so. But after banging my head against the wall trying several different unsuccessful configurations, I decided the tilas wanted to work elsewhere, and concentrated on the focal. Here's what happened:





All I added from my stash was some merlot and dark gold seed beads, the lapis rounds in the neckstrap, and my own fabricated gold clasp. And if you look really closely in the first round of beads around the focal, you'll see that I used some of the creamsicle seeds there.

Next up was a bracelet:


Then I wanted to use the faceted Czech glass Lori had sent.  Initially, I thought those would go with the focal, but once I'd finished the centerpiece, the greens and blues of the Czech glass just didn't work with the reds and turquoises, so I set them aside on the worktable.  They ended up near a piece I'd done several months ago and called Iris - the blues and greens worked really well together! Serendipity worked in my favor this time!



There were other colors of seed beads that I hadn't yet used, so a pair of freeform peyote earrings seemed to be in order:

And a ring:



And, finally, something to celebrate that challenging creamsicle color!  I call these earrings Creamsicle Conundrum:


Here's a family picture:


Thanks for reading all the way down, thanks to Lori for being a fun and generous partner, and thanks to Linda Anderson for hosting the swap!

Now, go look at all the creations from others who've taken part in the swap challenge -- get ready for some serious eye candy!

Linda Anderson
- Hostess -
http://fromTheBeadBoard.blogspot.com



LindaAndersonhttp://fromTheBeadBoard.blogspot.com
NatalieDavidsonhttp://www.northshoredays.com



MarcyLambersonhttp://www.studiomarcy.blogspot.com
KathyLindemerhttp://bay-moon-design.blogspot.com/



DitaBasuHttp://www.alankarshilpa.blogspot.com
AndreaGlickhttp://zenithjade.blogspot.com/



KristinaPeckhttp://tealeavesandtinyhats.blogspot.com/
ShaiWilliamshttp://www.shaihasramblings.com/



CatherineLa Vitehttp://www.drygulchbeadsandjewelry.blogspot.com/
ChristinaHickmanhttp://vintagetreasuresjewelry.blogspot.com/



gloriaallenhttp://wingsandbeads.blogspot.com
TeresaSchurterhttp://treezstreazurs.com/



Maria RosaSharrowhttp://willowstreetshops.blogspot.com
SusanKellyhttp://mimismilesdesigns.blogspot.com



JennyKyrlachhttp://anafiassa.blogspot.com/
MichelleMcCarthyhttp://www.fireflydesignstudio.blogspot.com



Terry JeanetteCarterhttp://tappingflamingo.blogspot.com
LeeKoopmanhttp://stregajewellry.wordpress.com



LaurieVyselaarhttps://lefthandjewelry.wordpress.com
MarianneBaxterhttp://simplyseablimejewelry.blogspot.com



DivyaNhttp://www.jewelsofsayuri.com
KellyHosford Pattersonhttp://travelingsideshow.blogspot.com/



JohanaNunezhttp://www.artincendi.com
KariAsburyhttp://hippiechickjewelrydesign.com/blog



ROBINREEDhttp://www.willowdragon.blogspot.com
KristinaHahn Eleniakhttp://www.peacockandlime.wordpress.com



Robin LynneShowstackhttp://heartsdesiresjewelryforyou.blogspot.com/
RosantiaPetkovahttp://bairozan.blogspot.com/



ClaireFabianhttp://saraccino.blogspot.de/
Ingevon Rooshttps://ingetraud.wordpress.com



RachelMallishttp://mintmonarch.com
SamWaghronhttp://palemooncreation.blogspot.co.uk



LoriSchneiderhttp://beadaddicted.blogspot.com
FayWolfendenhttp://torchfairy.blogspot.com









SEEDERS



SuseStelljeshttp://pearlify.blogspot.de
GingerBishophttp://www.lilmummylikes.blogspot.com



NellyMayhttp://www.smellynelly.blogspot.com
REbeccaWhitehttp://morganafeycreations.121hub.com/



sheilaProstermanhttp://catswithbeads.blogspot.com
CatherineKinghttp://catherines-musings.blogspot.com



PALLAVIASHERhttp://kalaabhushan.blogspot.in/
KraftyMaxhttp://kraftymax.net



RenethaStanzianohttp://lamplightcrafts.blogspot.com/
BeckyPancakehttp://beckypancakebeaddesigns.blogspot.com



KatyHeiderhttp://onthepondcreations.blogspot.com/
DeborahApodacahttp://deborahapodacadesigns.blogspot.com/



HeatherRichterhttp://desertjewelrydesigns.blogspot.com/
Tami Norrishttps://tamisdesigns.wordpress.com



BrandyScozzarihttp://bhjewelry.wordpress.com
CatherineKinghttp://catherines-musings.blogspot.com



KathleenBreedinghttps://www.facebook.com/99BOBOTW/
VeralynneMalonehttp://veradesigns.blogspot.com



BobbieRaffertyhttp://beadsong.blogspot.com  (You are here!)
LoriBlanchardhttp://alainnjewelry.wordpress.com

Busted, Blown, Weighted, and Moved -- The First Show Of The Season

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I love doing art shows and festivals. I really do - I get to spend two days outdoors in the fresh air, meet fun and cool people, and hopefully make lots of folks happy with my jewelry.

At one point, I was doing ten to twelve shows a year.  Yep, that's a lot. Since I moved, I've gone pretty much back to ground zero, discovering and applying for new shows and learning what works for me.

All that said, earlier this month was my first show of four (five, if I get off the wait list for one more) between now and September.  And boy, howdy, was it an adventure!

The Saturday forecast called for rain late in the afternoon. Except that the rain started right after noon. This was my view for four hours.


The silver lining is that my tent did not leak, despite many hours of saturation. The wind did not blow the rain into the tents.  And there were a few hardy souls who came out with their galoshes and umbrellas and shopped the show anyway. Gotta love 'em!

First day = not so great due to crappy weather.  Okay, Day Two was supposed to be sunny.

And it was sunny.  But it was also windy. Chicago windy.

Holy crap, y'all.


Necklace busts were flying all over the place -- this one finally gave up the ghost and broke in two.


The clamp solution wasn't pretty, but it was effective.


The show organizer required 40 pounds of weight on each leg of the tent.  I thought that seemed a tad excessive, but I dutifully strapped two 20-pound hand weights to each tent leg.

I can only imagine what the guy at Dick's Sporting Goods
 thought when I bought eight 20-pound hand weights

And thank goodness I did -- by the end of the day, the tent had stayed on the ground, but even with that much weight, it had shifted several inches from its original location. When the day started, the front edge of the table was inside the tent leg, not two inches in front of it. Astonishingly, none of the frames suspended from the tent fell, and no jewelry broke.  That, my friends, was a minor miracle.


If you've ever eaten at Waffle House, you know they call the various preparations of their hash browns "scattered, smothered, covered and chunked." I'll forever think of this show as "busted, blown, weighted and moved." And just like Waffle House hash browns, it's not a bad thing -- just not something you should experience too often!

So what did we learn this weekend? That an investment in a good tent is worth the money if you don't like leaky tent roofs. That when the show organizer says you need 160 pounds of weight on your tent, you respect their wisdom and experience. That necklace busts will bust apart after five or six impacts with the pavement. And, despite the soggy shoes from rainstorms and achy legs from chasing down flying necklace busts, I love doing shows. Next one in three weeks!

Creative Spark Summer 2016

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For the past few years, I've been fortunate enough to be a designer for ZNetShows, a great supplier of cultured sea glass and other beads for retail and wholesale.  A few times a year, designer/artists are invited to choose from their new products and create jewelry and non-wearable art to be included in Creative Spark, an online magazine.

The summer issue has just come out, and it's chock full of eye candy featuring cultured sea glass in fun new shapes, sea glass beads, beautiful Chinese crystal beads, and glass pearls.

Two of my designs are included - a fun and lightweight cultured sea glass nugget necklace (page 31) that can be worn several different ways (including as a bracelet!) and earrings spotlighting Chinese crystals in a flat spiral weave (page 54)  that would look great with either a casual summer dress or a fancy outfit for dining under the summer stars.



This shows the bracelet option for this design - wrapped several times, with fun fringe.


Go check out the wonderful designs created by all of the jewelry artists, and if you're inspired, be sure to check out the offerings from ZNetShows!

A Long Hiatus, Killer Trees, and Show Lessons Learned

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Hoo boy! If the road to perdition is paved with good intentions, my plans for making regular blog posts over the past seven months has me more than halfway down the road...

Lots has happened over the past few months (sold our house, bought a new place, moved, been asked to step into my former boss' position on an interim basis, took an anniversary trip to Paris), but I'm going to pick up the blogging where I left off -- smack in the middle of summer show season.


Each show has its learning opportunities.  For example, I learned that all the time saved by my neighbor artist when she set up the display of her whimsical bird houses in the open air instead of under a tent was equaled out each morning, when she had to spend quite a while cleaning the bird poop off of her pieces. Lesson One: there is no real shortcut in display setup.

The next show had no advance set up - rather, we were to arrive at 6 am to set up for a 10 am open. It was raining. A lot. And I was alone. I got my tent up enough to shelter the rest of my stuff, unloaded completely, and went off to park the car. I came back to discover that my spot was near a blocked storm drain, so that all the water draining down the street was pooling at the back of of my tent and those near me. God bless the volunteers who tracked down shovels and brooms to clear the dam and keep us from floating away! And thank goodness I had "borrowed" a straw fedora from my husband that morning so that I could stuff my rain-soaked hair up underneath and look (at least in my own mind) cute and stylish despite having been soaked all morning.  Lesson Two: rain + show setup = bring extra shoes and a cute hat.

The after effect of all the rain became obvious as the sun came out and the show opened.  Across the street from my tent, I saw this:


Take a closer look:


See it?


Killer tree!! Killer tree!! Yes, they moved the artist for everyone's safety.

This was a fun show (once I dried out from setup), and a good one. People were engaged with the art, enthusiastic about being there, and willing to buy things that they liked.

My favorite show of the season was held in a park on the shore of Lake Michigan. This was the view out of the front of my tent:


And this was the view out of the rear of my tent:



Not a bad place to spend a weekend! And though there were no Jingly Men, the music was great, the weather was lovely, and I went home with less jewelry than I came with. This was also where I learned Lesson Three: a tent that's near the boat launch will regularly be subjected to diesel or exhaust fumes from the trucks hauling said boats to the aforementioned launch. Nice views sometimes entail health hazards...

So another show season done. More lessons learned, and more fun memories.  Next time, I'll share some of my latest work.

The Silver Lining To Packing The Bead Room

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The hardest part of moving into a new home? (I mean, aside from the whole selling the old place and finding the new place. Or remembering your new address. Or driving home only to find you're in the wrong place....)

If you're a beader, it's got to be the whole process of packing up your bead room.  Dear heavens. Talk about getting slapped in the face with your hoarding tendencies!

But then you get to the new place and discover all the treasures you forgot about, including the UFinished Objects that had been stashed at the bottom of the drawer or in the back of the closet. I found a couple that would work up pretty quickly, so here they are, the first completed UFOs of 2017!

First up, some cabochons that I had glued to backing, in order to embroider the into a pair of earrings. They sat on the backing, unfinished, for an embarrassingly long time. When I finally got back to them, one of the purple glass cabochons had cracked, so a matched pair of earrings were out.

So, with the addition of a nice little jade round, the earring and a half became a pendant.


The second UFO was a red jasper cab that I had prepped as an illustration for a class that I taught. About 15 years ago. Yep. It only had the peyote bezel, with no backing or edging.  With the addition of modest fringe (I am SO not a fringe gal) and a necklace of faceted carnelian, faceted glass, and coconut heishi with an antique brass toggle clasp, she's ready to come out of the drawer.



Do you have any UFOs lurking in your bead room? 

Theme and Variations

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Crescents and rizos and tilas, oh my!

Image result for gif of wizard of oz lions and tiger and bears

The explosion of shapes in two-holed beads makes me feel a little like Dorothy in Oz - so many new things to explore.

I spent one weekend at a show playing with crescents, quad tiles, triangles and o-rings whenever the crowds were slow. Just a few colors, and just a few patterns, but oh so many different results.  Here are a few:


Theme and variations - lots of variety from a limited palette of materials. That's one of the things I love most about beadweaving.




Re-imagining A Project

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A while back, I played along in one of the A Time To Stitch challenges, and the theme was to bead a bag. I decided to work up a couple of covers for my key card holder to dress up a work necessity.


I took the picture above in order to have it for the challenge deadline, but did end up beading an edging around the outer edge of the piece afterward.

In theory? Great idea. In practice? Not terribly practical.

So I did something that made me very nervous. I cut a piece apart in order to re-imagine it into something else.

It looks a little wonky here - that's the photographer, not the necklace.
I took the scissors to the sodalite piece and reverse engineered it into a necklace. This one lived in my imagination a long time before I got the nerve up to cut it apart.

I'm pretty pleased with the result, and it's still something I can wear to work. It just won't swipe me into locked areas anymore.



Bead Hoarder Swap - My Partner and What She Sent!

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There's nothing like a beading challenge to kick your creative juices into high gear. And considering that over the past year my creative juices have been tucked way, WAY in the back of my brain, I appreciate all the creative kicks in the pants I can get.

So, when Lori Anderson announced a new bead swap blog party, I was ready to jump in. And this time, we were to give our partner a bead we've hoarded for ourselves. What a terrific idea!

And I was so lucky to be paired with Kathy Lindemer of Bay Moon Design. I've admired Kathy's work as part of the ZNetShows design team, and one of her necklaces was just featured on the Art Bead Scene blog.

Many of Kathy's pieces have an element of nature - flowers or plants or animals. Her work exudes a wonderful serenity that I find really appealing:

Yellow and teal floral earrings



Wanna see what she sent me for the swap?  It's yummy!

Kathy sent a beautiful little box, complete with a card she had made (creative lady!). And under the card was a spectacular ceramic bead by Suburban Girl Studios, complemented by a length of delicious blue silk cording and one of Kathy's handcrafted clasps. The ideas are burbling up already!

The box was so cute, decorated with washi tape, that I almost didn't want to mess it up by opening it.
Almost.

Kathy's handmade card


And the beautiful surprises inside!


Thank you, Kathy! I can't wait to get started!











Bead Hoarders Blog Party - The Reveal!

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All beaders have those beads that they just can't let go of, and that they just can't bring themselves to make something with. Beader's block? Fear of not creating something that lives up to the beauty of the bead? Just the dragon-like tendency to amass a collection of shiny things? Whatever it is, we all have those hoarded beads in our collections, just waiting to be pulled out and used.

Lori Anderson to the rescue! She created another one of her legendary bead swaps, but this time the only rule was to send a bead we'd hoarded, along with a story of why it's important to us.

My fabulous partner Kathy Lindemer sent me a gorgeous handmade ceramic donut by Diana Ptaszynski of Suburban Girl Studios. Kathy said she loves Suburban Girl beads because they often have a nautical feel, and the blues and greens that she uses are colors Kathy enjoys using in her jewelry. They are pretty delicious colors, aren't they? Along with the ceramic bead was a lovely length of blue satin cording and a clasp that Kathy made herself.  If you'd like to see the whole package, go here.


How did I know this was a perfect hoarded bead for me? Because it was a perfect match for some seed beads that I'd been hoarding...blue transparent green-lined lovelies that I hadn't found the right way to use, until now. They were absolutely the perfect match for the shades of green and blue on the donut.


I wanted to stay pretty minimal with my design, to focus attention on Kathy's bead. A herringbone rope with superduos, miniduos, and tiny crystals, undulating from small to large and back again, echoing the large to small decoration Diana used on the donut. 



A lariat style allows the focal bead to stay front and center, and the fringe has one, two, or three tiny crystals at the ends both to add sparkle and, again, echo the larger/smaller dimples on the donut.




But wait, there's more! I couldn't pass up using Kathy's clasp and that luscious blue cording. Again, a simple design to focus on the lovely components used - this time I used a pendant I made with seed beads and two-holed triangles. Easy peasy, just right for spring (if it ever gets here and stays here!)


Thanks for visiting, and huge thanks to Kathy for sharing such a beautiful bead with me. I hope I did it proud for you.

Now, go treat yourself to the eye candy created by others in this swap party. The full list is HERE. Enjoy!



Loving The Details

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If you're looking for the 
Bead Soup Bead Hoarder's Hop reveal, 
go HERE!

One of the things I love most about making jewelry (and one of the things that can be the most frustrating) is how a small change can make a huge difference.

Move this bead from *here* to *there* and a clunky design suddenly looks perfect. Change the color of a seed bead you're using and the design pops.

So, I try to appreciate visual details and figure out how they enhance the things that they decorate. Over the past few days when the weather has warmed up enough to walk outside without turning into a popsicle, I've played hometown tourist, ignoring the stares of those around me when I whip out my camera to take pictures of some of the details I've encountered.

Coming from a meeting in an 1891 building, I found a well-worn doorplate:


In that same building, an intricate tile floor - imagine how much time and care it took to place each mosaic tile! The tiles themselves are less than a half-inch each. Even as a seed beader, this level of intricacy boggles my mind.




And walking home from the train, I noticed two beautiful bronze ornaments on the exterior of another building, this one built around 1930 - the pictures are just details of much larger decorations: 



The building would have looked perfectly fine without them, but I imagine the architect and his team deciding that they needed these extra touches to make their building a truly special addition to the city. And I appreciate the artists' vision and craftsmanship.

So, are you a detail spotter like me? What's one of your favorite discoveries around your town?

UFO Spotting

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They're every beader's dirty little secret.

No, not the piles of beads that occupy every nook, cranny, and closet in the house.

Not the urge to buy every color of the newest shaped bead. That's not a secret. But it does create the issue mentioned above.

The universal problem is the UnFinished Object. The project that started out great and either hit a creative wall, got run over by the time demands of daily life, or just petered out somewhere along the way.

Karen Williams, the creative genius behind Skunk Hill Studios and Baublicious, put together a blog hop specifically to encourage people to finish and share those UFOs that are lurking in their studios. I dithered a bit and missed the sign up for the first one (dithering may lead to some of my UFOs...). But she's doing it again!!

On May 1, we'll reveal how we've completed one (or more) UFOs.  Here's a sneak peek of what I've got in line to finish. If I manage to get it done early enough, I'll work on one of the other three thousand few UFOs I've got laying around.

The UFO -- Completed!

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It's every beader's dirty little secret - that stack of half-finished, reconsidered, abandoned, incomplete, wrongly-turned projects that lie, lonely and unfinished, in the bead room. Our own stash of UFOs - unfinished objects.

Karen Williams, in her wise and encouraging way, brought together a group of beaders to dig into their UFO pile with the mission of finishing one or more of them. Karen's great at giving me a kick in the creative pants, so I had to jump in. Read all the way down, because this one took several turns along the way...

Several years ago, I wanted to build a necklace around a lovely abalone cabochon.


 The original vision was for one side of the necklace to be a Cellini spiral, with the other side a multi-strand collection of pearls. The Cellini spiral turned out great, but I couldn't get the multi-strand part of lay correctly, no matter how many times I tried.


It wasn't ugly, but it certainly wasn't right. In fact, it was so not right, I never took a picture of it. Just took the pearls off and put it aside into the UFO pile.

Until Karen's nudge. There weren't enough of the seed beads I used in the spiral to make a matching side, so that option was off the table. I decided to try the pearl idea again, this time in a braid or other structured format.

But again, it didn't work. This is that version, but this is not the final result of the challenge:


Yeah, again not right. So far from what I had in my imagination.

So what to do? I took a deep breath, picked up a pair of sharp scissors, and cut that spiral in half.


Gulp.

The resulting halves were too short to be a necklace, so I had to finish them off and add a couple of purple jade and sterling silver beads to make a necklace that I could wear without choking. The final version, while not what I had originally imagined, is wearable, satisfying, and most importantly, complete.



Whew! Thanks, Karen, for providing the motivation and the accountability. Now, go check out what some of my beady buddies have finished from their own UFO collection:

Karen Williams, Baublicious
Francie Broadie,  FAB
Christine Van Dyke Altmiller, One Kiss Creations
Kim Dworak, CianciBlue
Amy Severino, Amy Beads
Cynthia Machata, Antiquity Travelers
Hope Smitherman, Crafty Hope
Christi Carter, Sweetpea Path
Bobbie Rafferty, Beadsong Jewelry





A Beady Holiday

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It's been a nutty six months. Seriously crazy. Upheaval at work, family job changes, losses of loved ones, moves - all said, not a lot of time or brain space to be creative in the bead room.

So when I had the day off yesterday for the 4th, I was determined - determined!! - to spend some time at the work table. Rather than jumping into a new project (there's one of those on the horizon, which I'll share in a couple of days), I completed a few simple necklaces that I'd strung up months ago. Several of them were ways to use up some beads that I'd had in my stash forever. Easy peasy, but I needed to make clasps and finish them all off.

This one has faceted carnelian (pretty big - about 12mm), amethyst and sterling. I am obsessed with the luscious richness of these two gemstones together.


This too a little extra planning and fiddling, to figure out how to incorporate the copper filigrees into a knotted necklace. With the rhyolite marquis and green jasper rounds, I'm pleased with the result.



Czech glass beads - clear with white cores swirled with black and gold stringers - paired with faceted clear beads with gold cores and onyx rounds. Nice and long to slip over your head without a clasp.


About as simple as it gets - a dichroic pendant that's been at the back of the bead drawers so long it's probably eligible for a driver's license. Hard to see here, but it's a lovely deep purple with a flash of dichro blue at the top edge. A couple of coordinating beads, chain and a sterling clasp. Done.


Again with the substantially sized beads - this time with gorgeous black fire agate, faceted and nestled into pewter end caps with onyx and glass spacers. It looks so elegant.


One of my favorite gemstones, flourite, kept simple with Bali sterling so that the variety of the gemstone colors is the focus of attention.



Mavis Smith may have been one of the first lampwork artists I ever purchased art beads from. Here's a focal of hers that I've been hoarding for way too long.


Aah, a vacation day, cooking out and fireworks, and some completed UFOs. A good day all around!
So what did you do for the 4th?

Rediscovering My Voice

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Y'all. If the road to hell is paved with good intentions, my plans to blog more regularly over the past year has resulted in a lovely six-lane parkway to The Bad Place (extra points if you start calling me Eleanor). 

The creative urge? It has been colder than Lake Michigan during the polar vortex for the past sixteen months or so. But I finally picked up the beads and the needle and have jumped back into it. And it feels GOOD.

To start, I tackled a few UFOs, and repaired a few things that went awry in the past. Here's a Cellini spiral that lived as a lonely, spiky tube for a long time. It is a generous 3" long, so it didn't need much to finish, nor did it need any embellishment. I strung it simply on some onyx rounds and added one of my fabricated clasps in copper.



This next necklace is a repair - the lampwork bead, crackle quartz and smoky quartz were in another necklace. Until the necklace was dropped at a show and a couple of the raised clear drops on the lampwork broke off. (Insert silent scream here.) 

The missing drops were along one end, so I made a peyote cap to hide the injury. I added a beaded bead and some silver filigree beads. Fitting the peyote over the injured section was extremely fiddly, but I am persistent (read: stubborn). 



Friends, it feels really good to be back at it. I'm a happier person when I have my creative time - I'm sure everyone reading this experiences the same thing. So I am committing to being better about listening to the muse, and I hope (hope, hope) to keep up with the blog as well. 

From the UFO Pile, or The Virtue of Letting an Idea Marinate

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As part of my dive back into creating, I searched through my (extensive!) unfinished objects collection and found a pile of peyote tubes. I had made them as an experiment in making the same beaded bead using different bead sizes, but never got around to constructing a final product.


The original idea was to line the ones of the same colorways vertically side by side and string them together to create a graduated pendant. What I discovered is that the tension I used when weaving them left too little room between the beads to weave through with any kind of substantial stringing material.

I could have put them on headpins with a stopper bead with a loop on top and string them onto a cord lengthwise, but that wasn't the look I was hoping for.

So they sat. And I pondered. I let the idea marinate for a good long while.

Finally, I decided to weave them together horizontally.



They're strung on waxed cotton cord with another peyote tube to adjust the length. The final red one is just the cotton cording woven to hold the beads in place.




The result is a set of nice lightweight necklaces with adjustable length and a few less UFOs on the pile!

Bead Embroidered Necklace - Making Progress

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Bead embroidery is one of my loves - it's easy to incorporate it into smaller pieces like here and here and here.

But now and then it's time to take a deep breath and dive into something a little more extreme. Something that will take some serious time and planning. Something that will give you a good excuse to stay indoors when the weather outside is colder than Antarctica. (I wish I was exaggerating.)

So here is my latest big project, shown through a series of progress shots. It's not finished yet, but stay tuned!

Gathering the potential material
The gemstone pieces were the inspiration for the piece.
Everything else grew from them.

This is the first time I've actually sketched out the plan for a piece before diving in.
I've been doing this for twenty years. I'm kicking myself for not doing it sooner.
Transferred to the backing and gemstones glued in place.
 
A little progress
Here's today's starting place

The needle's threaded and I'm ready to get moving today - stay tuned for the next progress update!

Notes From The Road :The Land of The Incredibly Tall Festival-Goers

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Y'all, it's been a while. While I'd love to excuse my silence by saying I had been doing something really cool, it's just been life getting in the way.

life GIF

Surely you can relate.

ANYWAY, life finally allowed me time to do some shows, and I got accepted into three in a row. The first was this past weekend in a lovely, hip neighborhood in Chicago.

Perhaps the only selfie I've ever taken that didn't make me look deranged...
The weather was beautiful, which was obviously a result of my having (after way too many years of getting soaked inside my tent during downpours) put waterproofing sealant on all the seams of my tent roof. Kinda like taking an umbrella to guarantee it won't rain, or getting your car washed to guarantee a monsoon, right?

As always, art shows are great people watching venues. A few random observations from the weekend:

            1) Apparently, it's a requirement that one of every six or seven people who attend this show
                be over 6'2" tall. Seriously, I have never seen so many statuesque people in one place in
                my life.

            2) Two very pregnant women were strolling down the street together, with one of them
                pushing a stroller with no child in it. Either the stroller child was in the park with dad, or
                these ladies were very prepared in the event of labor.

            3) A skateboarding dog will stop everyone in their tracks to watch (sorry, I was too
                 astonished to take a video)

            4) Accosting every fair goer who walks by your booth with a shouted question will, in
                 short time, annoy the hell out of the vendors around you.
          4a) Corollary to this observation, I could recite for you my neighbor's come on questions
                and subsequent sales pitch verbatim. The fact that they were selling candles and kept
                referring to their "best smeller" should sum it up for you.)

            5) Wearing a parrot on your shoulder as you walk the show will stop almost as much as a
                 skateboarding dog (see #3 above).

It's probably also great advertising for your business, which is why I blurred his t-shirt

At a certain point on the first day, I noticed that a number of people were stopping to gaze in the direction of my booth and taking photos with their phone. While I'd love to say they were overwhelmed with my jewelry, turns out they were taking pictures of the house behind me that looks like it's being devoured by ivy....
The windows are nearly covered!!
So all in all, it was a good weekend - one down, two to go over the next couple of weeks. 

Rebranding and Refreshing

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So it's been a while since my last post, and good grief, it feels like a completely different world. I hope that you and yours are well and safe, and finding your way through the challenges of the pandemic as comfortably as possible.

Amid the adventure of figuring out how to work the day job from home, I've finally decided to take the plunge to rebrand Beadsong Jewelry. The banner I've been using is at least twelve years old (!!!). The last time I re-ordered the business cards I display earrings on, I screwed up the format, and they were unusable. If that's not my subconscious sending a sign that it's time to change things up, I don't know what is!

Not sure if brilliant idea - Cheezburger - Funny Memes | Funny ...

I've never had a logo, but I've had a design knocking around in my brain for a long time. I am NOT a visual artist, but I was able to create this, combining my initial with the ideas of a bead and a musical note:

Adding some refreshed typeface, and I'm happy to introduce my new logo:

So I'm changing the banner at the top of this blog, and then it's on to updating my website, actually getting my Etsy page functional, and keeping my Instagram feed lively. It feels good to focus on adding some new energy to all of this - I hope you'll come along on the ride!

Upcycling a Treasure Trove, Saving the Environment

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Every now and then, it's an exciting challenge to work with new material, something unfamiliar or unusual that kicks up your creative spark and leads you down some new paths. Over the next few posts, I'm going to share my adventures in using upcycled materials in my jewelry.

Last fall, I went to a local event held twice a year, created with the mission to keep material out of the landfill. It's a treasure trove of designer samples, construction materials, and miscellaneous stuff, all free for the taking. Artists, creators, teachers, and anyone who's curious enough to walk in can walk out with as much as their arms (or bags and carts) can carry.

It. is. AWESOME.

This was the second time I had gone. This time, my target was fabrics and trims that could be repurposed into jewelry. Holy crap, y'all, I found the mother lode. Books and books and books of designer trim samples. Tassels and gimp and ribbon trim. Faux leather in every finish and color you could imagine. I was absolutely giddy.

I got five big tote bags crammed full of sample books.
If I could have carried a bag with my teeth, I'd have gotten more.


Each trim sample book had at least three panels full of goodies like this:



I spent a full afternoon carefully removing each sample from the books - they were securely glued to the pages, intended to stand up to lots of wear and tear as a designer used them in consultations with clients. Those babies were SECURE. I sacrificed several fingernails to the process. 

Totally worth it. This is a little bit of the final result, sorted and bagged by type in a futile attempt to organize it...




Right?!? And that's not all - there were two books full of fabulous faux leather samples, perfect for backing bead embroidery projects and other uses.



I'm not gonna lie, these materials have posed some challenges as I've started to use them. But over the next few posts, I'll talk about what I've learned and share some of the things I've made so far. 

Using the Treasure Trove, Pt. 1

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As promised, I want to share the process of using some of the fabulous trims I got at the Zero Landfill event

One of the biggest challenges with the trim samples is that they are small, short, and often single. In other words, the braid may not be long enough for a full bracelet, there may only be one tassel in a single color, etc, etc, etc... I wanted to use some flat braids for bracelets. As you can see, unless I'm making a bracelet for a toddler, I had to find a workaround. 

Also, as you can see above, the ends had been stiffened with glue to prevent a (pretty spectacular) unraveling. So the first challenge was how to attach the trim to a backing, while disguising the necessary fray check at each end. 


On bracelet #1, I stitched the beads and trim directly to the backing (faux leather, also from the Zero Landfill haul), using triangles to cover the end. Then, I stitched another row of triangles to cover the butt end of the trim. 



The thickness of the trim and the glue made it difficult to keep lines of beads straight. Also, while the first end was easy enough to attach, because I didn't want to glue the trim down, the second end was tricky to keep straight while stitching beads and trim at the same time. Lesson learned.

On bracelet #2, I decided to weave the bead ends together before stitching them to the trim and the leather. The final result was nicer to my fussy, fussy (dare I say obsessive?) eye.




Then on the final bracelet, because of the wavy sides of the trim, I needed a different approach - solved with a band of peyote stitch on each end. 


I wove each band to the end of the trim and then stitched it to the backing. It's very secure.


It looks a little like a pocket that the trim has slipped into. (Side note - I LOVE the teal color and ostrich print of the faux leather on this one!)

I'm really pleased with the way these have turned out, and with the fun of solving the design challenges. I'm especially pleased that I didn't have to resort to using glue to attach the trim to the leather. I love the colors, which inspire some fun combinations. For all of the goodies in the giveaway haul, there is very little of this type of flat trim. I think I may have to hoard it and use it sparingly!


Using the Treasure Trove - The Ball Fringe Conundrum

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The flat trim that I used to make one of these bracelets (the center one in the top photo) originally had ball fringe attached.


As much as I like a good ball fringe (I mean, who doesn't?), the idea of having those tassels flopping on a bracelet didn't sound particularly appealing. Or manageable. Or pleasant for those around you, especially if you use your hands when talking.

So, the trim got a haircut. Or a fringe-ectomy. It became ex-fringe.

       

The puffy tassels of the fringe were beyond salvage. They were originally glued very securely to the decorators' sample books that they came from. The glue wouldn't come off, no matter how carefully I soaked and scraped, without absolutely wrecking the tassels.

However, in the process of trying to clean them up, I discovered that the tassel could be detached from the lovely thread-covered balls at the top of each fringe.



A good tug (sometimes escalating to wrestling pulling the tassel or the central bundle of thread with a pair of pliers) would release the tassel from the balls. While I forgot to take a picture of all of the liberated balls in a pile, here's a close up of one that gives you a good idea of the lovely luster of the thread covering.



And here are four necklaces I've made with them:



They are super lightweight and, as I said, most have a really lovely luster to the thread. It was a good reminder of the rewards of saying "what if" and experimenting!



Using the Treasure Trove - How Do You Tame A Tassel?

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One of the first things I pulled from the treasure trove of upcycled goodies to experiment with was tassels. There are basically two types: the shorter versions, which are typically more of a cotton fiber and were more often in pairs; and longer tassels, which are a silky-rayon fiber, usually only one of each color or shade in each trim sample.


Some of the shorter tassels are visible in the lower left quadrant, 
while the longer tassels are in the upper right corner.

So, pairs of tassels = earrings! I made beaded bands for some, kind of like belly bands. Others I left unadorned and dangled from larger beads. 



They were fun, they were flirty, and they were MESSY! In the process of dislodging them from the sample books they were glued into when I brought them home, the fibers suffered a bit in the process. There's a difference between boho chic earrings and earrings that look like they've been on three-day benders.

Poor baby. She looks rough.

Moistening individual strands didn't really do the trick to straighten them out. So I took a deep breath one day and full on dunked them. I swirled them in water. I treated them like a donut in a glass of milk. When the fibers were saturated, I hung them all up and worked the tassels straight, and left them to dry.


It worked!

The single tassels seemed destined for pendants, so I combined them with some cabochons made from upcycled upholstery fabric remnants. There are only a couple so far, but these elegant ladies were much better behaved and avoided the dunking. I'm sure part of it has to do with the difference in what the tassels are made of, but it was nice to have them put up less of a fight. The luster of these tassels would work well with a gemstone cabochon, which is what I think I'll use next.

  

Bead Soup Swap and Create (and Giveaways!!)

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(I'm also posting photos on my Facebook and Instagram pages - please check them out and maybe you can win a giveaway from this collection! Leave a comment here, and win your choice from the three pairs of earrings!)

Holy cow. It's been over a year since I posted here. Not that I haven't been creating, but 2020...well, you get it. But thanks to the fabulous Lori Anderson, we have another bead swap event to kick us all in the creative and sharing keesters, so without further ado, here's the Bead Soup Swap & Create!

My partner, Kim Hutchinson, sent me lovely beads in shades of blue and icy whites with gold accents. Lots of seed beads in various sizes and shapes to play with, dark blue glass pearls, vintage looking crystals in gold and clear, a gorgeous sodalite donut with a Chinese coin in the center, an intriguing cylindrical drop, and a heavy chain bracelet with a toggle clasp. Yum!

The donut called to me first (as donuts, edible and otherwise, tend to do), and I found some dark blue seed beads in my stash that complimented the soup to create a peyote woven bezel. Then I enclosed the cylinder in seed beads and one of the vintage crystals, added it as a dangle on the donut, and strung them on a necklace of sodalite from my collection, some of the glass pearls, and the final gold seed beads.

Then I turned to using the clasp, which finished off this bracelet of the vintage crystals, glass pearls, and dark blue seed beads.

(Like this? I'll be giving away! Go to my Instagram page, like and follow me for a chance to win!)

Using the clasp on the bracelet left me the rest of the bracelet chain. In a real experiment in engineering and problem solving, I used the chain as a focal and base for freeform peyote, one of my favorite techniques. The centerpiece is finished with complimentary beads from my stash.

As a final necklace, I turned to the abundant collection of seed beads Kay had sent, and created this spiral weave piece. When I made it, the temperature outside made me think this necklace looked like wintery icicles, but now that it's spring, it reminds me more of the bright spring sky with wispy clouds.

(Like this? I'm giving it away! Go to my Facebook page, like and follow for a chance to win!)

Finally, what's a soup without earrings? Three pairs, using the seed beads, the remaining bracelet chain with some cubes, and the rest of the vintage crystals.




All in all, a lot of fun! Thanks to Kay for being such a great partner, and to Lori, for being the best beady ringmaster there is! Want to see the rest of the participants and what they made? Go here, and feast your eyes.





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